What works even better is the film’s deeply humanist core. What works for The Two Towers is the fact that, for all its reliance on the realms of fantasy, it remains a quintessential drama woven around a basic good against evil conflict that unfolds on a metaphysical plane. Here, he plunges straight into the heart of the action.Įven more than the first installment, this film takes you along on a dizzying ride that might not make too much sense on the surface but does provide a whole lot of heart-pounding excitement and eye-popping surprises as it progresses. The first time around, he had inserted a protracted introduction about Middle-Earth and its denizens for the benefit of those who needed it. The Two Towers does so despite the fact that the director makes no apparent concessions to the uninitiated. Tolkien’s classic triptych possesses enough by way of epic spectacle, visual magic and narrative energy to draw you into its inner world. The second part of Kiwi director Peter Jackson’s literal adaptation of J.R.R. So you haven’t read a word of The Lord of the Rings trilogy? It’s obvious that you aren’t a Tolkien groupie.
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